Surfer Girl (September 1963)
Album History (Released September 1963)
Six months after Surfin’ U.S.A.,
the Beach Boys’ released their 3rd album, easily their strongest to
date. Capital could not get enough of Brian Wilson’s hits and wanted to churn
them out and fatten their pockets. The recording atmosphere in the early 60’s
was very machine like – pump out the hits at a breakneck pace and pile up the
cash. A band releasing 3 albums in a year would be unheard of in modern times.
Brian was a bonafide producer on this album. The lead single and the album were both successful, each hitting number 7 on the billboard charts.
Brian was a bonafide producer on this album. The lead single and the album were both successful, each hitting number 7 on the billboard charts.
Tracklist
Thanks Wikipedia.
No.
|
Title
|
Writer(s)
|
Lead vocals
|
Length
|
1.
|
2:26
|
|||
2.
|
B. Wilson/Mike Love
|
Mike Love/B. Wilson
|
2:07
|
|
3.
|
"The Surfer Moon"
|
B. Wilson
|
B. Wilson
|
2:11
|
4.
|
"South Bay Surfer (The Old Folks at
Home)"
|
Stephen Foster (music); B. Wilson/Carl Wilson/Al Jardine (lyrics)
|
Love/B. Wilson
|
1:45
|
5.
|
"The Rocking Surfer"
|
trad. arr. B. Wilson
|
instrumental
|
2:00
|
6.
|
B. Wilson/Roger
Christian
|
Love
|
1:38
|
|
Song Analysis
1. Surfer Girl
The first song
Brian Wilson ever wrote. It was famously composed with “Twinkle, Twinkle,
Little Star” in mind. It’s a pretty simple arpeggio-driven ballad, but Brian’s
lead vocals and the boys’ harmonies are beautiful. The best part of the song is
the breakdown, where Brian sings: “We could ride the surf together, while our
love could grow,” and there are perfect “aahs” from the boys harmonizing with
the melody. This is a wonderful, basic ballad and one of the Beach Boys
all-time hits.
2. Catch a Wave
The best part of this song is Maureen Love’s (Mike Love’s
sister) harp. There is a harp glissando before the chorus. This is consistently
my favorite part of these early Beach Boys’ catchy hits, the early signs that a
more creative instrumentation is coming. Other than that, this is a fine pop
song, and a classic Beach Boys track.
3. Surfer Moon
At the beginning of this song, it seems that we might be
in for a repeat of Surfer Girl. Another nice simple ballad. However, Brian
mixes this one up with some strings! This is the first string arrangement in
the Beach Boys career. The strings give it a more classic pop feel and help to
distinguish this from the Beach Boys’ ballads thus far.
4. South Bay Surfer
This song is bogus. The group takes Stephen Foster’s
beautiful and classic song “Old Folks at Home” speeds it up, and adds some
bogus lyrics about “South Bay Surfers.” Now granted, Foster’s original has
lyrics about slavery that are inappropriate today, but the old music is still
lovely. Trivia – the Foster original is the state song of Florida. Long story
short: this is a poor take on the original. I have included a video of a recording
of the original choral piece for comparison.
5. The Rocking Surfer
At first glance, this is just a half decent instrumental
track. However, there are some strange hidden facts about this track. If you
look at the writing credit it says Trad. Arr. Brian Wilson. Hmmm, so what is
the traditional song? After some Googling, I discovered it’s an old Czech Folk
Song called Stodola Pumpa. I found this buried YouTube video of a children’s
chorus performing it. The fact that this song evolved into a mediocre
instrumental track on the Beach Boys 3rd album is a strange occurrence
in music history.
6. Little Deuce Coupe
This song is about as dumb as they come. But the music
is fascinating. This song pops along at a snappy 1 minute and 41 seconds. This
song is impressive for how tight it is. A B A B C A B. A quick, effective pop
song with perfect melody, perfect harmony, an excellent bouncing beat, and dumb
as dirt lyrics. It’s the quintessential Beach Boys hot rod song.
7. In My Room
Here is a shining early Brian Wilson composition. This
song is not so different form Surfer Girl. The guitar plays Arpeggios the
entire time, the song has the same simple structure as other ballads to this
point. However, the technical aspects just do not matter. The vocals are so
beautiful that all else fades in support of them. This is the first song that has
a personal touch from Brian. It’s not about surfing (which he doesn’t do) or
about going to the fair and eating hamburgers, (which he does do but nobody
really wants to hear about it) this song is about Brian’s need for personal
space. To my ears, this is far and away the best track so far of the Beach Boys
career and one of my personal favorites. Here’s a 21-year-old kid writing a
gorgeous melody and singing about how meaningful his room is to him. It’s just
perfect.
8. Hawaii
One of the few examples where I do not like Brian’s
vocals. I can appreciate the impressive falsetto on “Hawaii! Hawaii! Straight
to Hawaii!” that Brian achieves. However, I don’t think it sounds good. Frankly, it’s annoying. I don’t want to go to
Hawaii anymore. I just don’t really get this song.
9. Surfers Rule
Eh. This song doesn’t do much for me. We get some Dennis
vocals but this song just feels kind of phoned in. Brian’s falsetto on this
track is great, but it’s surrounded by middling material. Filler track.
10. Our Car Club
I like the boogie woogie saxophone in this track. I
think it makes the track come together. These hot rod songs really don’t do
much for me, but this is a technically sound and listenable song about starting
a car club with your bros’.
11. Your Summer Dream
Four Brian Wilson ballads on one record! Hot damn! I’d
be going crazy if I was a 16-year-old girl in 1963. OK, I’m still going a
little crazy as a 31-year-old man in 2017. This is the slightest of the four ballads on the record, but it has its merits. It’s chord progression is a bit
different from the Boys’ ballads so far. I would talk more about it, but I don’t
have the music theory knowledge to elaborate. Just listen to the damn thing.
You’ll see what I mean.
12. Boogie Woodie
This is a needless song. The name is disgusting. However,
the car it is named after (Woodie) is awesome. Check this sucker out:
This song is the classic Boogie Woogie piano with some junk
organ added in. It doesn’t really accomplish much. A decent arrangement by
Brian, but it doesn’t add anything to
the album. Lame way to close this good album.
the album. Lame way to close this good album.
Overall Album Impressions:
This
is a considerable improvement on the first two albums. “Little Deuce Coupe”, “Surfer
Girl”, “In My Room”, and “Catch a Wave” are all-time American music classics.
There are four beautiful Brian ballads, and, while the filler pop and
instrumental tracks still persist, they are lessening in number. The third album
contains a lot to love.
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